Tuesday, November 15, 2016

Strange Fruit

Strange Fruit,15' x 5',sand,felt,wool,acrylic and oil paint,discarded drawings.



My intent in creating this anthropology and  art research project is to place focus on emotional mark making and color informed by the poem/song "Strange Fruit" sung first by Billie Holliday and later by Nina Simone about the black lynchings in the south and the Frank Leo lynching.

Monday, November 14, 2016

STRANGE FRUIT-THE BEGINNINGS OF MY RESEARCH PROJECT-C32325-An Anthropology and Art Project

I was in NYC last week and saw a powerful exhibit at The Holocaust Museum and decided... especially since I am Jewish, to create an art work informed by this song,Strange fruit which was first a poem by Abel Meerpol,1937.
It was sung first by Billie Holiday and then by Nina Simone(see links below to hear the song).I took photos of lines and cracks and debris in the train stations in NYC.(see images below)





https://www.youtube.com/watch?v=P8Lq_yasEgo



https://www.youtube.com/watch?v=h4ZyuULy9zs

"TO WATCH A MAN HANG FROM A TREE AND CALL HIM "STRANGE FRUIT"....THIS IS THE UGLIEST SONG"Nina Simone

With the Black and White issues today and in lines with BLACK LIVES MATTER, I decided to create an artwork informed by all of this....this is the beginnings.......stay tuned for more as I begin to make the art...as a side note..whenever I decide to make an art work, I choose something which gives me "that lump in my throat"feeling as Robert Frost once said.Here I go again.....C32325 may be the title I use as that is his number on the tree....or simply the title "strange fruit",which is the title of the poem and song and how they compared hanging bodies to strange fruit from a poplar tree.





















100 years ago, an act of anti-Semitic violence that changed America: The lynching of Leo Frank
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A stain on American history
NEW YORK DAILY NEWS

Monday, August 17, 2015, 4:33 PM
In the early hours of Aug. 17, 1915, a 31-year-old man took his last breath as the table beneath him was kicked out and the short rope hung from an oak branch snapped his neck.
The man hanging from that tree was an American Jew by the name of Leo Frank. Although Frank was the only Jew in the history of America lynched by a mob, his death had a profound and lasting impact on American Jewry.
Frank, a superintendent at a pencil factory in Atlanta, had been sentenced to death on questionable evidence for murdering 13-year-old Mary Phagan in 1913. She had worked at the factory. His trial was a foregone conclusion; Frank had already been convicted in the court of public opinion.
The Northern Jew was the obvious target of the people’s rage. A hate-infused trial ensued, and Frank was portrayed as the insidious Jewish infiltrator, taking what he pleased.
A conviction quickly came, and Frank was sentenced to death.
As he went from appeal to appeal, the case against him began to fall apart. Even some of his accusers conceded that Frank had not murdered Mary Phagan. After his appeals had been rejected by the Supreme Courts of both Georgia and the United States, Georgia Gov. John M. Slaton investigated the body of evidence and, taking a bold stand, commuted Leo Frank’s sentence to life in prison. Slaton did not believe the accused had been guilty of the crime.
But this did not sit well with a community longing for justice but blinded by bigoted rage. After he arrived at the Milledgeville State Penitentiary, Frank’s throat was slit by a fellow prisoner. He survived this attempt on his life, yet the wound had barely healed when on Aug. 16, 1915m a well-oiled mob of 25 rolled up to the prison gates, removed Frank in less than a half hour without firing a shot, and brought him to Marietta, Mary Phagan’s hometown.
After being badly beaten, he was hanged from a tree at 7 a.m.
With so many tragedies that have befallen the Jewish people, why should we take time to remember this singular incident? Because Leo Frank’s death was the functional equivalent of state-sponsored murder.
Although the governor had commuted the sentence, prominent Georgians, including judges and other state officials, plotted and carried out a seamless abduction and lynching. A huge crowd watched the lynching, which was supervised by a well-known superior court judge. That very same day the perpetrators of the crime were absolved of any wrongdoing by a grand jury, although they were all well known locally.
Several photographs were taken of the hanging, which were published and sold as postcards in local stores, along with pieces of the rope used to hang Frank, his nightshirt, and branches from the tree.
In the aftermath of the murder, fear spread among Southern Jews. Until then, they had found themselves quite comfortable and safe in their genteel communities. They owned businesses, were respected by their neighbors, and even held government office.

While Frank’s death may have been the only anti-Semitic lynching in America, there were of course thousands of African Americans who were cruelly murdered in this fashion. We cannot forget these poor souls either. We must acknowledge and learn from this dark chapter of our history.

Artist,Ken Gonzalez did a series called Hang Trees(see link below)about the California lynchings.

The collage/sketches made to inform the large wall piece I created are below:

Keep in  mind I was thinking of rope,hanging,head down,hands and feet positioned and the cracks and detritus of those ancient NYC city subways.



when i self harm

the girl in  pieces

as the world gets darker













White Blindness

Author of the book ,Through Our Own Eyes, Bertold Brecht 1956

"And I always thought: the very simplest words must be enough.When I say what things are like,everyone's heart must be torn to shreds.That you'll go down if you don't stand up for yourself.Surely you see that."

I can easily relate to these words in my own life and choose to express this ideology through the work I create.
I hope the art I am making will embrace these ideas and express emotive rich surfaces ,viseral and intimate yet strong and powerful.

Thursday, November 10, 2016

A Lesson in the fields of China from the book,Through Our Own Eyes by Guy Brett

These last few chapters discuss the art in China and Africa as means of personal expression about war and poverty in the late 1950s when many peasants and villagers took up painting in their free time to record their feelings about poverty and the paintings are made in a very complex manner and this painting,,A Lesson in the fields... is the first of this kind  and leads up to the paintings about the revolution and shows crop spraying  and patterned paintings on fabric reflect the landscape,some pictures show poverty  showing a lack of  medical facilities with baskets in abundance of herbs and glass vials showing the nature of primitive making of chemicals and healing powders.We actually see peasants discussing their paintings now.

Next discussion is actually about African paintings even though the music was and is  the main art form used to express."The Indigenous cultures defined and redefined themselves against the onslaught of colonialism..."page 99...This was a time of repressed and persecution and humiliation n of the villagers.This is shown in the villagers' art.Naive painting styles with enlarged arms and hands  and sad expressions prevail.Even simple large  mud sculptures are being made in the villages at this time.They presented artworks which were using found materials to express their constant poverty and humiliation. I will end this course with this quote from the author,Bertold Brecht 1956

"And I always thought: the very simplest words must be enough.When I say what things are like,everyone's heart must be torn to shreds.That you'll go down if you don't stand up for yourself.Surely you see that:I can easily relate to this in m y own life today.

Sunday, November 6, 2016

From the book,Through Our Own Eyes by Guy Brett(continued)

I am going to discuss some of the Outsider Art from several different countries presented here.
Pages 32-54.
These are quilt type of artworks done in a very primitive manner,no perspective,child like images all stitched and very colorful....the disappeared people ,this trauma of Santiago when working people,normal day to day workers disappeared after a coup censorship of every kind was prevalent and of course in the arts.traditional decorating of bags and baskets using brightly colored wool(as I have incorporated into my collages) as these political artworks emerged they were seized,of course by the police.of course these women and grandmothers disappeared and were never heard of again.
These were These quilts show the people taken prisoners and hugging their families and sadness if felt in these naive quilts.These working day women who made many of these  lived in squatters areas trying to improve their lives...a beautiful blue quilt with doves flying towards the sun says"Never Give in or stray away from the road"page 35.In Chile in 1973-1984-A patchwork of a series of smaller quilts were made and recounts the day one of The Coup..it documents the endless search for relatives gone missing.. a black square in many of thee is symbolic for  an unknown place as the anguish of not knowing... "We lack solidarity"is printed on one quilt...,one shows a woman on a telephone saying day after day on the telephone with no news..,one patchwork exposes a very brutal crime by the secret police which happened in to a young woman who was said to have dies while planting a bomb but the truth as with many other women is she was beaten to death by the secret police with an iron..there is on the quilt a large hand sewn offering flowers.The last one I will describe is the one about showing women chained  to the railings of National congress in Santiago to demand full punishment for all of these killings and their are pictures of the missing relatives embroidered above the womens' heads.